Winter Twilight - Ludwig Munthe
Gooble gobble, one of us!
I still have this half-AU in my head, that Delilah made refugee asylum for “fallen women” in Brigmore manor (like real asylum, not like that Magdalene one) and they grow fruits and veggies and when they crave for meat they just hunt for overseers, and they paint and read poetry in the evening and collect men’s bones for charms and all live here happily ever after.
(I know she is far from being nice protective auntie, but c’mon)
And pathetic pointless fangirl rant under:
revisiting the good old underwater theme.
Brooklyn-based artist Alyssa Monks is a figurative painter, blurring the line between abstraction and realism. “Using filters such as glass, vinyl, water, and steam, I distort the body in shallow painted spaces. These filters allow for large areas of abstract design - islands of color with activated surfaces - while bits of the human form peak through. In a contemporary take on the traditional bathing women, my subjects are pushing against the glass “window”, distorting their own body, aware of and commanding the proverbial male gaze. Thick paint strokes in delicate color relationships are pushed and pulled to imitate glass, steam, water and flesh from a distance. However, up close, the delicious physical properties of oil paint are apparent. Thus sustaining the moment when abstract paint strokes become something else. When I began painting the human body, I was obsessed with it and needed to create as much realism as possible. I chased realism until it began to unravel and deconstruct itself, I am exploring the possibility and potential where representational painting and abstraction meet - if both can coexist in the same moment.” Monks’s paintings have been the subject of numerous solo and group exhibitions, and her work is represented in public and private collections.
© All images courtesy of the artist